Every AION plate is generative art drawn by the contract that stores it, from the moment it records. This is the whole vocabulary, with a real specimen of each.
There is no designer in the loop and no image on a server. When a declaration
is inscribed, AionRenderer is called on-chain and returns a
complete SVG as a data URI — so the artwork exists wherever the chain does,
with no gateway, no domain and nothing to keep paying for. What it draws is
decided by the declaration's meaning and by its clock, to the second:
| intent | the figure — what the inscription is |
| month | the ground — the setting it was made in |
| hour | the sky, one of twelve — the sun or the moon, and the gold arc |
| month + day | the sign the sun stood in, on its real cusp — 22 October is Libra, 23 October is Scorpio |
| day | the symmetry, 3 to 8 — and the counter: a large star is ten, a small one is one |
| minute | the density, 0 to 3 — and the silver arc |
| second | the bronze arc |
| hash | the grain — the starfield, and each figure's own detail |
Because three arcs on the rim carry hours, minutes and seconds, a plate is a portrait of one second: 220,752,000 readable plates in a year, seven meanings against every second in it, before the grain is counted at all. Two inscriptions that share one second of chain time are struck in one of thirty rare metals instead, a different metal each, and say so. Every specimen below was rendered by the same code the contract runs, and that code is proven byte-identical to it on a real EVM.
The intent chooses the figure, and the figure is the subject of the plate. An earlier version of this system had it the other way round: time chose everything and meaning got a colour, so a love letter and a notarised contract were the same picture in two hues. Each figure carries its own silhouette, because twelve radially symmetric discs read as one shape from across a room. Every plate below is the same moment and the same seed — only the meaning changes.
The month chooses the ground: the field the figure is set into, drawn from the Achaemenid vocabulary the whole project takes its face from — an astrolabe, a ziggurat seen from above, a Persepolis stele, a cylinder seal unrolled. Every plate below is the same figure under the same sky; only the month moves. Look closely, and expect to. The ground is deliberately the quieter layer — the figure is the subject and the ground is the room it stands in, so it is drawn faint and behind. It is shown here through the smallest of the seven figures for that reason; under a Cosmos burst most of these are invisible.
In the top-left corner of every plate is the creature the sun was standing among when the declaration was made. It is taken from the month and the day, because a sign does not begin on the 1st: the plate for 22 October carries Libra and the one for 23 October carries Scorpio. Two other versions were drawn and thrown away — the abstract symbol, which reads as a typeface, and the real star pattern, which is true and costs a tenth as much but says a constellation rather than the ram. Bodies are outlines and appendages are fills throughout, which is what makes twelve separate drawings read as one family.
The hour chooses the palette, two hours to each, midnight round to deep night. Nothing else in the system changes colour: the metal, its soft highlight, the three sky bands and the starlight all come from here. Every plate below is the same figure on the same ground; only the hour moves.