The Atlas

Every AION plate is generative art drawn by the contract that stores it, from the moment it records. This is the whole vocabulary, with a real specimen of each.

There is no designer in the loop and no image on a server. When a declaration is inscribed, AionRenderer is called on-chain and returns a complete SVG as a data URI — so the artwork exists wherever the chain does, with no gateway, no domain and nothing to keep paying for. What it draws is decided by the declaration's meaning and by its clock, to the second:

intentthe figure — what the inscription is
monththe ground — the setting it was made in
hourthe sky, one of twelve — the sun or the moon, and the gold arc
month + daythe sign the sun stood in, on its real cusp — 22 October is Libra, 23 October is Scorpio
daythe symmetry, 3 to 8 — and the counter: a large star is ten, a small one is one
minutethe density, 0 to 3 — and the silver arc
secondthe bronze arc
hashthe grain — the starfield, and each figure's own detail

Because three arcs on the rim carry hours, minutes and seconds, a plate is a portrait of one second: 220,752,000 readable plates in a year, seven meanings against every second in it, before the grain is counted at all. Two inscriptions that share one second of chain time are struck in one of thirty rare metals instead, a different metal each, and say so. Every specimen below was rendered by the same code the contract runs, and that code is proven byte-identical to it on a real EVM.

The seven figures — what the inscription is

The intent chooses the figure, and the figure is the subject of the plate. An earlier version of this system had it the other way round: time chose everything and meaning got a colour, so a love letter and a notarised contract were the same picture in two hues. Each figure carries its own silhouette, because twelve radially symmetric discs read as one shape from across a room. Every plate below is the same moment and the same seed — only the meaning changes.

TO THE COSMOS — a burst of rays that runs off the edge of the plate
TO THE COSMOSa burst of rays that runs off the edge of the plate intent 0 · TO THE COSMOS
TO MY FUTURE SELF — two circles — one solid, one dashed — facing each other across a gap
TO MY FUTURE SELFtwo circles — one solid, one dashed — facing each other across a gap intent 1 · TO MY FUTURE SELF
TO MY LOVE — a vesica, two circles overlapping, with a small body orbiting each
TO MY LOVEa vesica, two circles overlapping, with a small body orbiting each intent 2 · TO MY LOVE
TO MY CHILD — an open dome sheltering a single small light
TO MY CHILDan open dome sheltering a single small light intent 3 · TO MY CHILD
A VOW — a woven knot with no loose end
A VOWa woven knot with no loose end intent 4 · A VOW
NOTARISED — a ruled tablet with a struck seal at one corner
NOTARISEDa ruled tablet with a struck seal at one corner intent 5 · NOTARISED
STAR MAP — a field of stars over a horizon, crossed by the ecliptic
STAR MAPa field of stars over a horizon, crossed by the ecliptic intent 6 · STAR MAP

The twelve grounds — the moment it was made in

The month chooses the ground: the field the figure is set into, drawn from the Achaemenid vocabulary the whole project takes its face from — an astrolabe, a ziggurat seen from above, a Persepolis stele, a cylinder seal unrolled. Every plate below is the same figure under the same sky; only the month moves. Look closely, and expect to. The ground is deliberately the quieter layer — the figure is the subject and the ground is the room it stands in, so it is drawn faint and behind. It is shown here through the smallest of the seven figures for that reason; under a Cosmos burst most of these are invisible.

ASTROLABE — concentric rings, ticks, a bearing hand
ASTROLABEconcentric rings, ticks, a bearing hand month 1 · January
SPIRAL — a single line winding out from the heart
SPIRALa single line winding out from the heart month 2 · February
MANDALA — n-fold petals
MANDALAn-fold petals month 3 · March
ZIGGURAT — stepped terraces, seen from above
ZIGGURATstepped terraces, seen from above month 4 · April
ORBIT — nested ellipses at inclination
ORBITnested ellipses at inclination month 5 · May
LATTICE — a woven tablet
LATTICEa woven tablet month 6 · June
ECLIPSE — two discs and a corona
ECLIPSEtwo discs and a corona month 7 · July
COLUMN — a Persepolis stele
COLUMNa Persepolis stele month 8 · August
RIPPLE — concentric arcs, struck off-centre
RIPPLEconcentric arcs, struck off-centre month 9 · September
CROWN — rays of alternating length
CROWNrays of alternating length month 10 · October
CYLINDER — an impressed seal, unrolled
CYLINDERan impressed seal, unrolled month 11 · November
CONSTELLATION — the field itself, nodes and edges
CONSTELLATIONthe field itself, nodes and edges month 12 · December

The twelve signs — the constellation the sun stood in

In the top-left corner of every plate is the creature the sun was standing among when the declaration was made. It is taken from the month and the day, because a sign does not begin on the 1st: the plate for 22 October carries Libra and the one for 23 October carries Scorpio. Two other versions were drawn and thrown away — the abstract symbol, which reads as a typeface, and the real star pattern, which is true and costs a tenth as much but says a constellation rather than the ram. Bodies are outlines and appendages are fills throughout, which is what makes twelve separate drawings read as one family.

ARIES — The ram, horns sweeping low and wide with the tips curling back up
ARIESThe ram, horns sweeping low and wide with the tips curling back up top left · 04/04
TAURUS — The bull head-on, horns lifting off the brow and out
TAURUSThe bull head-on, horns lifting off the brow and out top left · 05/05
GEMINI — The twins, mirrored and joined at the arms — the joining is the sign
GEMINIThe twins, mirrored and joined at the arms — the joining is the sign top left · 06/05
CANCER — The crab, claws held up and forward where they can be seen to be claws
CANCERThe crab, claws held up and forward where they can be seen to be claws top left · 07/06
LEO — The lion inside its mane, and the ears that keep it from being a sun
LEOThe lion inside its mane, and the ears that keep it from being a sun top left · 08/06
VIRGO — The maiden, and the ear of wheat that Spica is named for
VIRGOThe maiden, and the ear of wheat that Spica is named for top left · 09/06
LIBRA — The scales, the beam hung rather than welded, the pans swinging
LIBRAThe scales, the beam hung rather than welded, the pans swinging top left · 10/05
SCORPIO — The scorpion, segmented, its tail arched over its back to the sting
SCORPIOThe scorpion, segmented, its tail arched over its back to the sting top left · 11/05
SAGITTARIUS — The bow at full draw, the string bent where the arrow sits
SAGITTARIUSThe bow at full draw, the string bent where the arrow sits top left · 12/05
CAPRICORN — The sea-goat: a goat's head and beard, and the fish tail curled below
CAPRICORNThe sea-goat: a goat's head and beard, and the fish tail curled below top left · 01/05
AQUARIUS — The water-bearer's amphora, and the water beneath it
AQUARIUSThe water-bearer's amphora, and the water beneath it top left · 02/04
PISCES — Two fish swimming apart, tied at the tails by a cord
PISCESTwo fish swimming apart, tied at the tails by a cord top left · 03/05

The twelve skies — the hour

The hour chooses the palette, two hours to each, midnight round to deep night. Nothing else in the system changes colour: the metal, its soft highlight, the three sky bands and the starlight all come from here. Every plate below is the same figure on the same ground; only the hour moves.

MIDNIGHT — metal #8fa3c8 on #060911
MIDNIGHTmetal #8fa3c8 on #060911 hours 00:00–01:59
THE WAITING — metal #7f8fd0 on #080a19
THE WAITINGmetal #7f8fd0 on #080a19 hours 02:00–03:59
FIRST LIGHT — metal #a897b8 on #0c0a1c
FIRST LIGHTmetal #a897b8 on #0c0a1c hours 04:00–05:59
DAWN — metal #e0a08c on #150b14
DAWNmetal #e0a08c on #150b14 hours 06:00–07:59
MORNING — metal #e6bd7f on #150e09
MORNINGmetal #e6bd7f on #150e09 hours 08:00–09:59
HIGH SUN — metal #e8c877 on #161108
HIGH SUNmetal #e8c877 on #161108 hours 10:00–11:59
ZENITH — metal #f2e2b0 on #1a1810
ZENITHmetal #f2e2b0 on #1a1810 hours 12:00–13:59
AFTERNOON — metal #d4ad4f on #151008
AFTERNOONmetal #d4ad4f on #151008 hours 14:00–15:59
GOLDEN HOUR — metal #e09442 on #180d07
GOLDEN HOURmetal #e09442 on #180d07 hours 16:00–17:59
DUSK — metal #cf7a52 on #160a13
DUSKmetal #cf7a52 on #160a13 hours 18:00–19:59
EVENING — metal #a98bff on #0e0a1e
EVENINGmetal #a98bff on #0e0a1e hours 20:00–21:59
DEEP NIGHT — metal #7fb0c8 on #050a13
DEEP NIGHTmetal #7fb0c8 on #050a13 hours 22:00–23:59